Richard Herring: Hitler Moustache DVD
Review by Steve Bennett
Richard Herring: Hitler Moustache DVD
The concept is simple enough: Richard Herring tries to reclaim the toothbrush moustache from Hitler and back to comedy, where it began on the upper lip of Charlie Chaplin. So he grew one, and started to note how peopleâs reactions to him changed.
As a high-concept stunt, itâs novel, if fundamentally flawed â as the natural reaction to seeing a man sporting such face-furniture would probably be to consider them an oddball, rather than a fascist. Not even Nick Griffinâs dumb enough to wear the Hitler âtache.
Herring himself admits that the point of his gesture is âglib at bestâ, and the show can feel like heâs trying to force ideas into this pre-conceived structure. But there are interesting concepts at play here, despite the red âHerringâ of that moustache.
As always, he likes to cheekily subvert accepted ideas with deliciously flawed logic. His justification for asserting racists are in some ways better than liberals is a particularly fine example of this. Whereas other material is more morally ambiguous â for example when he gets laughs from repeatedly saying a racist insult, then berates himself for doing so, then gets to say it more.
If nothing else, itâs fun on the DVD to spot some genuinely pissed-off people in the audience, who the director doesnât shy away from showing. There are also a couple of men with Hitler moustaches of their own, which is weird.
As part of his research, Herring watched Chaplinâs The Great Dictator, and was greatly taken by a passionate, and deathly serious speech that the comedian delivered against fascism. It obviously inspired Herring to write his own straight diatribe, berating anyone who didnât vote for helping open the door to the BNP in the 2009 European elections. The threat of the far-right seems, for now, to have subsided but it was clearly a pressing issue that Herring felt genuinely outraged by.
Yet you do get jokes as well â including a lovely gag about hubris that deserves far better reaction than it got, but strangely wouldnât have worked so well if it had â in a typically intelligent, well-structured and sometimes provocative show from a constantly inventive stand-up.
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